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Roland system 100 101 module. Synth is good condition. Is rated to 240V for Australian and Euro power. Everything is operational to my knowledge and I have owned and used this aggressive, funky synth for 3 years and love it. Moving overseas though and it won't fit in my backpack. It is in good condition with no broken switches or bad circuits, the case is a bit blemished overall but for a 30 year old synth it is still going strong. Please inspect the photos closely.
This is not a collector synth to put in storage, plug it in and let the bass drop! Local inspection is most welcome and I am happy to ship worldwide. Exact shipping costs will be calculated after close of auction. Happy bidding! Here's what the synth geeks have to say:
The System 100 is a great and classic analog synth! It's a beautiful semi-modular monophonic synth consisting of 5 module components: the Synthesizer 101, Expander 102, Mixer 103, Sequencer 104, and Monitor Speakers 109. The Synthesizer 101 section is the heart of the system, from which you could add-on any of the other modules of your choice. Different combinations of these components can be used to create systems of varying potential.
The Synthesizer 101 section is a fully self-contained analog mono-synth. It features a 37-note keyboard (with no performance controls, velocity or aftertouch), and lots of sliders to tweak. Its design is similar to the SH-series analog synths. Controls for the VCO, LFO, VCF lowpass/highpass filters, VCA with ADSR, Noise, and Portamento/Glide effects are all within hands reach. There's also a handy A-440Hz tuning oscillator, like on the Minimoog.
The System 100 is a great sounding analog system with the classic vintage Roland sound. Although it is itself an impressive system, Roland took the concept a step further developing additional modules for the System 100m. Although the 100m has greater patching freedom, it doesn't sound as warm as the 100. Apparently the 100 has the same filter chip as a TB-303, but it certainly doesn't produce the same sound, the System 100 sounds better! Whatever configuration you find a System 100 in, they are all powerful, warm, and useable machines!
The System 100 is still very sought after and desirable due to the power of its filter (very similar sounding to the tb 303, so could be 18db/oct, although sounds even more powerful) and also the sequencer and patching capabilities, which are easier to get to grips with simply because the 101 and 102 are internally normalised so can be used in a more traditional manner without getting into any patching at all (other than cv and gate for the expander to trigger it, although the sample and hold unit can trigger it. This again was unique as it procided a lag time feature and selectable sources for it, including external sources). Also, Roland, uniquely for the time, didn't have the oscillators "locked in" to fixed footages or pitches, which allows maximum flexibility for sound sculpting. However, conversely it can be a little tricky to play in a conventional manner as there is no dedicated pitch bend or modulation controls like later synths. The envelopes don't sound as snappy as later roland synths, although this isn't really a problem when using it with a sequencer. It can also be used with a midi to cv converter , as it supports the 1v/oct standard.
It created a unique sound, because it contains no SSM or CURTIS chips, and hence its discreet technology ensures it doesn't sound like anything else in a mix. Lots of character and incredibly versatile.
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